Lecture
| Date | 5.24.(Sun) 16:00 |
|---|---|
| Venue | Korean-Chinese Cultural Center 4F |
| Host | Yoo Un-seong(Film Critic) |
In Marlon Fuentes's Bontoc Eulogy, an anonymous narrator tells of a traumatic event endured by his great-grandfather. A native of the Igorot people from the mountainous northern region of Luzon in the Philippines, he was among those exhibited to white audiences in a native village created as a spectacle for the 1904 St. Louis World¡¯s Fair. Those exhibited at the time passed away without being able to leave behind any testimony of the experience. Does this, then, make testimony impossible? Is the right to testify exclusive only to those directly involved? This question is deeply relevant to our current reality, where an increasing number of people are exhibited and die without testimony amidst war?a truly horrific, contemporary fair broadcast to the entire world daily through all forms of audiovisual media. (YOO Un-seong)
¡Ø Please note that Korean-English interpretation will not be provided for the Academy programs.
Director Marlon FUENTES
USA | 57¡® | Documentary, Fiction | ¨õ
A Filipino-American filmmaker explores his lost heritage by tracing the story of his grandfather, an Igorot warrior displayed as an anthropological ¡°specimen¡± in the 1904 St. Louis World's Fair.
Film Critic. Co-publisher of the visual media journal Okulo. His published works include Contamination, Botanic Temptation, But The Night Will Be Short, and A Ghost and the Guards. He also translated Jonathan Crary¡¯s Suspensions of Perception into Korean. From 2004 to 2012, he served as a programmer for the Jeonju International Film Festival, and from 2012 to 2014, he was the Director of the Planning Department at Moonji Cultural Institute SAI. In 2025, he was awarded the 4th JUNGJEUMSIK Art Prize.